Now, let’s talk about the music. This second album is a major step up from their debut. Don’t get me wrong, Die by My Sword was already fantastic—it made my 2022 Album of the Year list—but Only the Stars Are Left takes things to another level. The band has noticeably slowed down on this record compared to their thrash-infused first album, which had elements of Manilla Road's sound. On Only the Stars Are Left, they’ve dialed back the speed a bit, but they’ve done it in a way that enhances the overall experience without losing their energetic drive.
The album opens with a calming, beautifully crafted acoustic intro featuring double-layered guitars and harmonies—something I’m an absolute sucker for. This intro seamlessly transitions into the first proper track, "The Prosecution." You’d hardly notice the shift if you were listening to the album while driving. And when the quiet ends, the speed kicks in, hitting you right in the face. "The Prosecution" sets the tone for what’s to come with its fiery pace and vocals that strike the perfect balance between epic, heavy, and speed metal elements. It’s one of those songs that makes you want to grab a sword and ride headfirst into battle, which makes the transition into "Riders of the Storm" even more fitting. This track is a musical assault, continuing the album’s relentless momentum.
Even when the pace slows down, like on "Fallen Angel," the album remains captivating. This track takes on a more anthemic, ballad-like feel, but while the speed may drop, the epicness remains. The riff in this song is a masterclass in how to write a slow, powerful riff—brutal, proud, and virtuous. I found myself headbanging with a stank-face more than once while listening to it.
After "Fallen Angel," we’re thrown into the fury of "Vendetta." The song kicks off with harmonized guitar solos before exploding into a galloping rhythm, signaling our return to the battlefield for another round. This theme of battle and vengeance carries through the entire album—"drags itself" in the best way possible, weaving a coherent narrative of war, triumph, and glory.
I discovered this album just a day after its release, and I’ve been spinning it non-stop, even as I write this review. It’s an early contender for my 2024 Album of the Year, sitting comfortably alongside releases like Triumpher’s Spiritus Invictus. I really hope War Dogs tours in Germany someday, as seeing them live would be a dream. I’m absolutely fascinated by this album and will definitely be ordering it on vinyl.
